So
Much for MY happy
Ending: Musings on a Pop Punk Princess
by Josh McClellan,
Senior Editor
It's
Avril week here at YAD, and before you think about cracking wise, realize
we take our Lavigne fix seriously here. Try us. somewhere between the return
of Fifty Cent and the surprise explosion of Modest Mouse, our little Avril
snuck around back and released her sophomore album, Under My Skin. While I'd
be lying if i said i'd listened to it, i do nevertheless feel fully qualified
in reviewing her cd as it appears in my playlist on Winamp. Thusly:
Avril Lavigne,
Under My Skin (2004 Arista
Records)
4 out of
5 Stars.
I must admit
that i was surprised by the growth both as a songwriter and in tone on her
second cd. While i always enjoyed "Let Go", i never imagined that
two years would make such a difference in world perspective, but leave it
to Avril to prove me wrong:
Track One:
Don't Tell Me - The weak link on this cd is out of the way almost immediately,
and i can't deny hitting the skip button. don't get me wrong, this is our
first taste of the developing songwriter, and she has some real gems. take
this bon mot, if you will "Did you think that I was gonna give it up
to you this time?/did you think that that was something i was gonna do (cry-e-yi-e-yi)"
at best, it's half hearted Alanis-lite. on to track two.
Track Two:
My Happy Ending - See, this should have been the first single. Sure, it's
another angsty gem, but at least the hook is catchier, and the lyrics aren't
cringe inducing (of course, true fanatics know the single worst of her songs
with the best hook is "Get Over It" go find it. you'll laugh out
loud. i promise) plus, she let's you know that this young lady is growing
up, sneaking in the "S" word in the second verse. (oooh, dangerous,
this one) But i am too cruel. there's effective use of string towards the
end, and as break up songs go, i predict "My Happy Ending" will
go down in the record books.
Track Three:
Progenies of the Great Apocalypse - Here we see Avril take an abrupt shift
in direction, emphasizing more on orchestration to embellish her hard worn
death metal licks. Abandoning her usual canuck twang, she plays with a vocal
synthesizers to sound closer to nordic black metal, not unlike that of Dimmu
Borgir. instead of the same old song and dance about how boys suck, she moves
on the the eternal battle between the Church and Satan Worshippers, proving
this kid is better versed than we expected.
Track Four:
Kid A - I was shocked at the inclusion of this track on her second cd. the
vocals are barely decipherable, and heavily repetitive. I'm sorry, Avril,
but "we've got heads on sticks/ you've got ventriloquists" over
and over just doesn't do it for me. Nor, for that matter, does the reprise
hidden after the last track featuring your good pal and musical prodigy John
Mayer, which you add guitar to. I just don't get it.
Track Five:
Blood on the Ice - Avril kicks out the jams, punk rock style, in this two
minute ditty about hockey violence in her native Epanee. Short, punchy, and
to the point. rock on!
Track Six:
Satin in a Coffin - As unexpected as track three, Satin in a Coffin is reminiscent
of some bizarre funeral procession, where Lavigne asks "Are You Dead
or Are You Sleeping?/God, I Sure Hope You Are Dead" coupling her teenage
angst with a snarky commentary of narcissism and death, Avril really outdoes
herself. my only question, who's playing the banjo? Use them more!
Track Seven:
Ready, Willing, Cain and Able - If you doubted by this point that Avril's
not a little girl anymore, check out this slice of Sado-masochism. incorporating
strings again, but in a more discordant fashion, she weaves the web of psychological
assault, assuming the male role of sadist to an unheard girlfriend/wife/victim.
"So Where's Your Love Song Now?" indeed.
Track Eight:
Big Pimpin' - Ah, the life of a young Pop Punker. Our little lady is growing
up, and spending G's. I wasn't aware that being a pimp was so punk rock, but
then what do i know. And who is this mysterious "Jigga Man"? What
have you been up to, miss?
Track Nine:
Fall to Pieces - I think this song sounds a little like "Naked"
from her first album ( I don't mean the actual lyrics, I mean the tune), but
my friend who has this doesn't agree, so maybe I'm just crazy. It's mid-tempo
and I love the bit near the end where it goes "want to know who you are
want to know where to start..." This isn't much like the rest of the
songs, so it's interesting. (editor's note: i got bored, so i copied the
last track from Cdnow.com)
and that's
it. Aside from the baffling bonus track with the aforementioned virtuoso John
Mayer, Under My Skin is mostly a minor masterpiece. Everything about "Let
Go" is still intact, but her amazing versatility practically guarantees
Avril Lavigne a long career in this fickle music industry.
Next Week,
I'll give you the heads up on more albums I heard. (I think.)